Abbie came of age in honky tonks, defying her life threatening disease, but all the while longing for an identity of her own. Now that she is 18, how much is she willing to sacrifice for her independence?
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At first glance, it is not obvious that Abbie Evans lives with a life-threatening skin disease. She is a typical teenager: moody, rebellious, irreverent, and is also strikingly beautiful. But her life is the antithesis of normal. Abbie grew up in hospitals, cared for by her protective mother. She then came into her own in honky tonks, selling merchandise for her father's band. But just like any other 18 year-old, Abbie yearns for an identity of her own. Butterfly Girl charts Abbie's journey towards a new understanding of how she must balance her past with her future, her parents with her independence, and her disease with her desires. But what price must she pay for that freedom?
ROOTED in PEACE challenges viewers to examine their values as Americans and human beings. Today we are at war within ourselves, with our environment, and with the world. Director and award-winning filmmaker Greg Reitman invites viewers on a film journey to take notice of the world we live in, proactively seek ways to find personal and ecological peace, and stop the cycle of violence. The film relies not only on memoir, but also interviews with such luminaries and activists as Deepak Chopra, music legends Donovan, Mike Love, and Pete Seeger, film director David Lynch, Noble Peace Laureate Mairead Maguire, media mogul Ted Turner, Archbishop Desmond Tutu, green architect William McDonough, neuroscientist Dan Siegel and many others. Reitman learns from all of them, and heeds Maharishi Mahesh Yogi’s words, that if the forest is to be green, every tree must be green; if there’s going to be Peace on earth, then everybody needs to experience that quality of Peace within themselves. And so in asking viewers to do the same, Reitman poses the basic question: How do we want to live? Reitman’s journey is an example of transformation — how one person can learn to make the necessary changes to enjoy a better life — and in so doing inspire others to want to improve their own lives, and society as a whole.
A Lonely Cow Weeps at Dawn (痴漢義父 息子の嫁と… Chikan gifu: Musuko no yome to..., lit. Molester Father-in-Law, the Son's Bride and...) aka A Cow at Daybreak (Yoake no ushi) and Cowshed of Immorality (2003) is a Japanese pink film directed by Daisuke Gotō and starring Ryōko Asagi and Horyu Nakamura.
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A young widow, Noriko, lives with her senile father-in-law, Shukichi, on a farm. He believes his favorite cow, long gone, is still alive. Noriko pretends to be the cow and lets him milk her - a satisfying arrangement for them both. Shukichi's daughter discovers their bizarre relationship and tries to put an end to it.
Begotten is a 1990 American experimental horror film, written, produced and directed by E. Elias Merhige.
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The story opens with a robed, profusely bleeding "God" disemboweling itself, with the act ultimately ending in its death. A woman, Mother Earth, emerges from its remains, arouses the body, and impregnates herself with its semen. Becoming pregnant, she wanders off into a vast and barren landscape. The pregnancy manifests in a fully grown convulsing man whom she leaves to his own devices. The "Son of Earth" meets a group of faceless nomads who seize him with what is either a very long umbilical cord or a rope. The Son of Earth vomits organic pieces, and the nomads excitedly accept these as gifts. The nomads finally bring the man to a fire and burn him. "Mother Earth" encounters the resurrected man and comforts him. She seizes the man with a similar umbilical cord. The nomads appear and proceed to rape her. Son of Earth is left to mourn over the lifeless body. A group of characters appear, carry her off and dismember her, later returning for Son of Earth. After he, too, is dismembered, the group buries the remains, planting the parts into the crust of the earth. The burial site becomes lush with flowers. *Wikipedia*
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